Owls, Omens, and Oracles

“Can we move forward? Are we ready?”
Valerie June has opened her deepest channel yet to create her fourth studio album, Owls, Omens, and Oracles. The Grammy-nominated singer-songwriter and three-time Americana Music Honors and Awards nominee weaves fresh medicinal downloads of love, sweetness, goodness, and joy together with songs that have flowed through her for years. Halfway through a decade of immense and rapid global change, she asserts a multidimensional Blackness steeped in laughter, truth, magic, delight, and interdependence. The opening track and first single, “Joy, Joy!”, gives us an irresistible, playful, and effervescent invitation to surrender to the light always available in our souls. This album is a radical statement to break with the skepticism, surveillance, and doom scrolling – let yourself celebrate your aliveness. Connect, weep, change, open.
Rooted in the belief that what we focus on is what we manifest, June dreams a songpath forward that leaves no one behind. She has been softening and clarifying her sound since the 2013 release of Pushin’ Against A Stone, through The Order of Time, The Moon and Stars: Prescriptions for Dreamers, and Under Cover. From the Kennedy Center and opening for The Rolling Stones at Hyde Park to supporting Tyler Childers, Trevor Hall, Brandi Carlile, Gary Clark Jr., and John Prine, June offers us a root system spanning Earth’s magma core to the cosmos. This newest work shows Valerie’s own spiritual growth, her deepening, the opening of ancestral channels into both her glorious voice and her tender lyrics.
“Valerie June has built a devoted following by ignoring expectations. She is simultaneously
rural and cosmopolitan, historically minded and contemporary, idiosyncratic and fashionable, mystical and down-to-earth.” — New York Times
June is not alone in crafting this sacred field for the contemplation of love and being human. Her dynamic and distinct voice centers an incredible circle of collaborators, including producer M. Ward and special guests Blind Boys of Alabama, Norah Jones, and DJ Cavem Moetavation.
In this vast realm, we can follow June’s singular sound, a north star as steady and undeniable as any true love story, telling us to “trust the path.” She is inviting us out of the small boxes that keep us apart from each other, her music creating a space where we are already together, already one. The horizon changes as we get closer to it, but our songstress is sure-footed in the face of uncertainty and change. She wants everyone who listens to this music to want to be alive, to love, co-creating a future together.
Mavis Staples, Newport Folk Festival, and Hardly Strictly Bluegrass Festival were the auspicious forces that led June and Ward to record fourteen original songs at 64 Sound in Los Angeles. While producing Mavis’ 2016 album, Living on a High Note, Ward invited June to contribute a song that became the title track. “I had been a fan of both The Staple Singers and She and Him (Zooey Deschanel and M. Ward) for years, so joining Mavis and Ward in the studio was a dream come true. I loved his production style and the way he captured distinct female voices. I can remember the smell of the room and the feel of the air the first time I heard Mavis and Zooey sing. When you hear voices like that, you can’t confuse them with anyone else out there. It was also a surprise to be in the room with stellar musicians like Steven Hodges, who worked with artists I admire who have singularly unique sounds from Tom Waits to David Lynch.”
Backstage is where the magic happens. Musicians often find themselves traveling to similar festivals. With a spirit of togetherness circling her at every turn, in summer/fall 2023, June joined Ward for spontaneous guest appearances during his sets at Newport Folk Festival and Hardly Strictly Bluegrass, setting the plan in motion to work together in the studio. “One of the things I enjoy about listening to M. Ward’s music is that he’s an incredibly amazing guitar player. While he can shred and rock, he also ‘gets’ the blues. After sitting in with him for those live sets, we vowed to work together one day on a record.”
Welcoming June to his stomping ground in California, Ward chose Pierre de Reeder (Rilo Kiley, Jenny Lewis) to engineer the album. Sonically taking on a signature analog production sound, the style intertwines the old and the new. “Bands and groups from The Strokes to The Ronettes have always stolen my heart. I wanted a low-fi, gritty sound with many of these songs. I wanted to get grungy, but I also wanted to keep the softness of a singer-songwriter with a guitar at an open mic night.”
An instant foot-stompin’ hip-shaker, “Joy, Joy!” opens the album with an exuberance we are all born longing to find in the souls that surround us. The adventure begins with Kaveh Rastegar on bass (John Legend, Beck) and Steven Hodges on drums (Tom Waits, David Lynch). Throwing it all back on the soulful “All I Really Wanna Do,” June sings and layers her voice reminiscent of an idiosyncratic version of the Supremes. She’s even started to expand her compositions to simplified chords and notes on the piano. “String instruments (guitar, banjo, banjolele) are the only instruments I play, but I suppose if there’s an instrument in the room that speaks to me, then I can write a song on anything. I adore Daniel Johnston’s songs. His songwriting is so simple, yet powerful.” As June’s voice growls, hisses, studders, moans, and chants its way through the anthemic rocker “Endless Tree,” it’s clear that every song on the album is composed with a medicine, message, and purpose of honoring our interconnectedness.
“Getting the courage to do something small
Lifting the spirits of all that you saw
Feeling the tiniest spark in your heart
Only an ember can light up the dark
Are you ready to see
A world where we could all be free
As branches of an endless tree?”
While June plays many instruments, she clarifies that the voice is an instrument and will have its own way of serving the song. Her voice grips us with visceral twists and a fierceness of raw emotion that threads textures and tones through the needle of a multi-genre American quilt, striking against notions that voices should always sound polished and pretty. Gracefulness and gentleness harmonize with dissonance, edginess, and precarity in the sharpest parts of her voice, evoking a tenderness within even the hardest heart on “Trust the Path.” A hand-clappin’, toe-tapper, “Love Me Any Ole Way,” leads us from Memphis to New Orleans with the horn arrangements by Nate Walcott (Bright Eyes, Conor Oberst, and the Mystic Valley Band). A published author, June, performs spoken word with her sultry southern accent, reading a poem from her book Maps for the Modern World (Andrews McMeel, Simon and Schuster). Earning the admiration of Bob Dylan, June walks in his footsteps from American rock music to folky songs like “Sweet Things Just for You” featuring backing vocals from Norah Jones to “Missin’ You,” which includes Ward’s silky Mississippi John Hurt and John Fahey style fingerpicking guitar.
Every single note June sings is dusted with her distinctive Tennessee twang, but that doesn’t mean she should ever be limited by genre. June holds the complexity of “My life is a country song,” and “I am multidimensional, beyond category.” This album is expansive, growing from her psychedelic folk, indie rock, Appalachian, bluegrass, country soul, orchestral pop, and blues root system into an intergalactic web of wisdom.
Listening to her work, we are reminded that whoever created this Earth didn’t stick to one genre, so why should we?
Produced by M. Ward
Engineered by Pierre de Reeder
Recorded at 64 Sound, Los Angeles, CA and Pasadena, CA
Additional editing by Dani Bennett Spragg at Toast in London
Mixed by Kennie Takahashi
Mastered by Greg Calbi and Steve Fallone at Sterling Sound
“Changed”
Blind Boys of Alabama vocals recorded and engineered by Case Newcomb at Hyde Street Studios, San Francisco, CA
“Sweet Things Just For You”
Norah Jones backing vocals recorded and engineered by Jamie Landry in New York
“Missin’ You (Yeah, Yeah)”
Mixed by Pierre de Reeder
Norah Jones appears courtesy of Blue Note Records.
All songs written by Valerie June Hockett. Published by BMG Platinum Songs US (BMI) except “Superpower” written by Valerie June Hockett and DJ Cavem Moetavation. Published by BMG Platinum Songs US (BMI) and Michael Shannon Walker III (BMI).
Photography: Dr. Ietef Vita
Package Design:
Thank you to Eset Rose and Kate Hyman for creative assistance.
Thank you to everyone who helped create this album for your heart work and for the incredible experiences we shared along the way! Thanks so much to all family and friends for your loving support, conversations, and hugs.
Agency: David “Boche” Viecelli and Kristine Capua for The Billions Corporation
Publisher: Emi Horikawa for BMG Rights Management GmbH
Attorney: Rosemary Carroll at Carroll Guido Groffman Cohen Bar & Karalian, LLP
Concord Records: Margi Cheske, Matt Marshall, JJ Lee, Kim Bilbrew, Kathy Tempesta, Mark Williams, Tom Becci, Jill Weindorf, and everyone at Concord Records.
valeriejune.com
concordrecords.com
℗ & © 2025 June Tunes Music, Inc. Under exclusive license to Concord Records. Manufactured for and Distributed by Concord, 10 Lea Avenue, Suite 300, Nashville, TN 37210. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. CRE02871
There is a light
You can see
That is wanting to be free
A hidden light deep inside
Learn to trust your spirit guide
There is a light you can find
If you stop to take the time
Know when it’s right
Rise and shine
The seas will part
The stars align
You’ll find dat joy joy in your soul
You’ll find dat joy joy in your soul
You’ll find dat joy joy in your soul
You’ll find dat joy joy that joy that joy that joy
And when you feel you’re not enough
Has this old world been hard and rough
A golden seed beneath dark soil
To seek the sun is often rough
And when you’ll flower
Know not the hour
An ever-present superpower
An effervescence from below
No one can tell
Just trust and grow
You’ll find dat joy joy in your soul
You’ll find dat joy joy in your soul
You’ll find dat joy joy in your soul
You’ll find dat joy joy that joy that joy that joy
There was a day not long ago
When I thought I’d lost my glow
‘Twas looking out at everything
‘Twas on a tightrope balancing
The wind and knocked me off
Then I fell into a stream
The waves reflect my inner glow
I found that
I found dat joy joy in my soul
You’ll find dat joy joy in your soul
You’ll find dat joy joy in your soul
You’ll find dat joy joy in your soul
You’ll find dat joy joy that joy that joy that joy
All I really wanna do is love you
Got me lookin’ from afar
Know I need you near my heart
All I really wanna do is love you
We could spend all day inside
Close the curtains and just hide
Oh, folks will try to tell us that our time ain’t right
But our souls will guide us when we fuss and fight
There’ll be days of distance
There’ll be nights of pain
But we’ll keep on dancing through the hardest rain
Cause all I really wanna do is love you
Darlin’ touch me if you can
I’ve been searching for a friend
All I really wanna do is love you
Darlin’ can’t you understand
Won’t you please just hold my hand
Darlin’, darlin’, darlin’ darlin’ please
Please—can’t you understand?
Darlin’, darlin’, darlin’ darlin’ please
Please—can’t you understand?
Understand?
All I really wanna do is love you
Got me lookin’ from afar
Know I need you near my heart
Darlin’, darlin’, darlin’ darlin’ please
Are you ready to see?
A world where we could all be free
As branches of an endless tree
May we seek and find it
Although we might not all agree
Still live together peacefully
Watching the news almost every night
Telling the stories of all that ain’t right
But what could be done from a house and a home
Sink in the sofa and feel so alone
Getting the courage to do something small
Lifting the spirits of all that you saw
Feeling the tiniest spark in your heart
‘Cause only an ember can light up the dark
Are you ready to see?
A world where we could all be free
As branches of an endless tree
May we seek and find it
Although we might not all agree
Still live together peacefully
Are you ready
Are you ready
People get
People get
People get ready
Tell me my brother how love goes around
Neighbor to neighbor–we create a town
City to country a nation is formed
Person to person–kindness is born
There is a beauty in the number one
Just like the moon and just like the sun
So if you’re on the couch and you’re feeling alone
May you feel moved after hearing this song.
Are you ready to see?
A world where we could all be free
As branches of an endless tree
May we seek and find it
Although we might not all agree
Still live together peacefully
Are you ready
Are you ready
People get
People get
People get ready
Wanna be ready
Ready to see
A world where we could all be free
As branches of an endless tree
May we seek and find it
Although we might not all agree
Still live together peacefully
There was a time
When I wanted so much more
Now I realize
Everything I longed for
Has always been—Inside me
I’ve spent my life
(Playing the game
Ever being played)
Chasing a dream
Find my way
Upstream
(A rectangular, triangular, round puzzle piece)
(Trusting the guides)
Changing the tides
Of a world-pool
(When to stay when to leave
Try to win, but learn to lose gracefully)
No mistakes
Cause this earth is a school
I can’t hide
Now I see
(It’s always been
Always been
Inside me)
Stumbling on
Fallin finding home
(Always been)
The Unknown
Entering the science of my mind
Never wavering—awake and shine
Sitting with the deepest hue of blue
Let the waves of silence pull me through
Staring through the windows of all souls
Going places only I can go
Meet you there, but where I cannot say
Path to take—can only point the way
Gotta trust the path
I’ll only point the way
Trust the path
I’ll only point the way
Trust the path
I’ll only point the way
Promise me you’ll venture towards unknown
Every step a new discovery shown
What can be sees all that’s always been
I can only point the way for you my friend.
You gotta trust the path
I’ll only point the way
You gotta trust the path
I’ll only point the way
Oh, trust the path
I’ll only point the way
When you’re down, down, down, down, down, down, down
Oh, you gotta trust the path
I’ll only point, I’ll only point the way
Trust the path
I’ll only point the way
Trust the path
I’ll only point the way
All in all
(I know you’ll find, I know you’ll find the way)
Entering the science of my mind
Never wavering—awake and shine
Sitting with the deepest hue of blue
Let the waves of silence pull me through
Love me any ole way
Mornin’, noon, night or day
No matter what folk may say
Love me any ole way
Love me when I am down
Love me when I am weak
Especially when I’m in need
Don’t pack your bags or try to leave
Love me any ole way
Any way that you feel
Love me any ole way
Just as long as it’s real
Don’t try to make it all just right
Don’t shine the rust or hide the light
Just be true and keep it real
A heart that aches is a heart that feels
Love me when I am broke
When I’m lost and seeking hope
In the darkness, hold my hand
Tell me you understand
Just love me any ole way
Any way that you feel
Love me any ole way
Just as long as it’s real
Love me any ole way
Any way that you feel
Love me any ole way
Just as long as it’s real
Got ya lookin’ at me sideways
Got ya longin’ for them good ole days
Got ya spinning and a winding
Hoping, searching, finding
A brighter place
See you grooving and a shakin’
I see all them moves your makin’
See ya’ backwards and a forwards
Tossed and twisted onwards
That dirty face
I know I’ve been changed—um, I’ve been changed
I know I’ve been changed—I know I’ve been changed
I know I’ve been changed
I’ve been changed
I know I’ve been changed
Got that grit, that grind, that hustle
Got that claw, that crawl, that ruffle
On that fake it ‘til you make it
You know they cannot break it
Everyday
I hear voices singing
Residing in my power
Daffodils,
Lilac fields,
Ancient trees,
Gentlest breeze
Watch me as I flower
Dandelion, I unwind
Now’s the time
Rise and shine
Every soul is listening
Hearing spirits whispering
Calling out my name
Calling out my name
Can you hear your name
Can you hear your name
“Blank Page” a spoken word poem read by Valerie June from her book Maps for the Modern World
You only have one day
‘Til the moon rise sun set down
Only one day
Before the sun rise moon set round
What will you do
And where will you be found
Who will you be
Leave the earth wrapped, love, spellbound
You only have one hour
Before the star shine midnight blue
Just a single hour
‘Til the clear sky morning dew
How will you face
This bright day path way new
What words to write
On this blank page lying beneath you
What will be said
Of your stargaze light ship eyes
What could be heard
Of your bird flight ’cross blue skies
Who could have seen
Your moon glow night dance twirls
Who would have guessed
You’d sketch a rainbow-painted world
I happen to think I’m the place
To do some sweet things just for you
It’s in the sweet things that you say
It’s in the sweet things that you do
And I happen to think I’m in the place
To do some sweet things just for you
So, first, I’ll write you this love song
I’ll sing it in the softest tone
If these words don’t measure how I feel
Then hopefully the music will
Just for you, I would swim more than a 1,000 seas
Just to spend day or night in your good company
Just for you, I would learn to paint the sun’s bright beams
Just for you, I’d even paint the midnight moonbeams too
Just for you
Although we’re miles and seas apart
I’m keeping you close to my heart
I close my eyes and see your face
Blue light and love and a warm embrace
Just for you, I would swim across a 1,000 seas
Just to spend a day or night in your good company
Just for you, I would learn to sing life’s evening song
Just for you, I’d dance my rain dance all night long
Just for you
It’s in the sweet things that you say
It’s in the sweet things that you do
I happen to know I’m the place
To do some sweet things just for you
I am in love
I love, I love, I love I love I love you
What does it mean?
Is it just words or something I do?
You can take everything I have—I’ve worked for
I have, I have, I have, but be sure
Triple check everything in double time
Do not leave a memory, scent, or sign behind
I am in love
I love, I love, I love I love I love you
What does it mean?
Is it just words or something I do?
What does it mean?
Is it just words or something I do?
What does it mean?
Mean when it hurts to love you
This world stopped turning
And we were frozen in time
Spring flowers in full bloom
Black moon’s regret met sunrise
Soon fast asleep
A light to open blinded eyes
I am in love
I love, I love, I love I love I love you
What does it mean?
Is it just words or something I do?
What does it mean?
Is it just words or something I do?
What does it mean?
Mean when it hurts to love you
Calling my spirit back to me
Trusting the path I do not see
Wandering I drift toward unknown
A guiding light will keep me strong
Stumbling I feel my towards home
Find it inside though far I roam
Take the long road
Move forward—blind
Life’s only purpose is to shine
Wandering I stumble back towards home
As I move forth it drifts towards me
Calling my spirit back to me
Trusting the path I do not see
(I’ll take the long road)
We both know how it goes
Or so the story’s told
I run away with you
We both find out it’s hard
Move to the trailer park
Try to make a new start
Married at 19
Divorce at 24
Three jobs and still poor
Have to trade a life of dreams
For the simple little things
Give me the right to sing
‘Bout the:
Countless loves, endless hearts gone wrong
My life is a country song
Who is he?
But somebody with nobody’s name.
Who am I?
But nobody—playing somebody’s game.
Just a countless love, with a heart gone wrong.
My life is a country song.
Country music
Don’t need to be saved
Just to remember
All those who gave
Countless lives
In a lonesome grave
My life is a country song
We both know how it goes
Or so the story’s told
I run away with you
You got me missin’ you baby
You got me missin’ you darlin
You got me missin’ your sweet thang
You got me missin’ your honey yeah, yeah
With your wicked ways baby
You and your wicked ways darlin’
You got me feeling mighty lonely
You got me taking to the highway
I couldn’t sleep at night baby
I couldn’t sleep at night honey
I laid awake and thinking only
I lie awake and thinking only of you
So tell me—oh tell me now
It’s alright—it’s alright
Do it
It’s okay-that thang you do
To me
Do that sweet thang
You do to me
Take me—take me now
By the hand—by the hand
Do it—do it now
Thang you do
Do it
Got that feeling
Got that feeling- yeah, yeah
I’ve got that a slow and easy feelin’
Got that slow and easy feelin’
That I’ve been needing your healin’
That I’ve been needing your honey
You got me missin’ you baby
You got me missin’ you darlin’
You got me missin’ your sweet thang
You got me missin’ your honey yeah, yeah
From what I can tell
I’m still under your spell
There’s a dream in my eyes
But I’m trying to be wise
I’ve made mistakes before
Used my love as a door
Almost broke me in two
I can’t bare to lose you
Almost broke me in two
I can’t bare to lose you
almost broke me in two
I can’t bare to lose you
Wonder where you are now
Wishing that I knew how
To bottle our love in time
Instead of leave it behind
But if I should return
Cause my soul longs and yearns
To be beside you again
Will you be there my friend
To have and hold you again
Will you be there my friend
To have and hold you again
Will you be there my friend
This is not a goodbye
This is not a hello
This is my way of saying
I know when to let go
They say love and love hard
If you love and love true
If you love and let go
It will come back to you
If you love and let go
It will come back to you
Valerie June - Album Announce & "Joy, Joy!"
Valerie June - "Sweet Things Just For You"
Valerie June - "Endless Tree"
Concord Records, Marketing: Micky Benthall
Pitch Perfect, Press: Jessica Linker
Pitch Perfect, Press: Yuri Kwon