Better Broken


When Sarah McLachlan first emerged as a global phenomenon over three decades ago, the Canadian singer/songwriter introduced an unprecedented new voice into the pop canon: soulful, spellbinding, and supremely capable of transforming pain into transcendence. On her first album of new material in 11 years, the three-time Grammy-winner furthers her legacy with a selection of songs that speak an uncompromising but radically illuminating truth about the state of the human condition. The latest triumph in a career with countless milestones—including 12 JUNO Awards, over 40 million albums sold worldwide, and major cultural achievements like founding the groundbreaking Lilith Fair—Better Broken ultimately affirms McLachlan as an unparalleled artist whose nuanced perspective and unfettered empathy feel more essential than ever.
“A lot of the lyrics on this record came from thinking about the world right now and asking, ‘How do we move through this landscape? How do we keep our heads above water when it feels like so much is falling apart?’” says McLachlan. “I don’t know if I have any answers, but channeling all that angst and uncertainty into the music has been so cathartic. So even though some of the songs may seem quite dark on the surface, singing them has given me an incredible amount of joy.”
In a monumental leap for McLachlan, Better Broken finds her widening her creative circle and working with producers Tony Berg (Phoebe Bridgers, boygenius) and Will Maclellan (Lucy Dacus, Phoebe Bridgers). “I’d worked with the same person for 30-plus years, so this really felt like stepping out on a limb and trying something new,” says McLachlan, who enlisted producer Pierre Marchand for landmark albums like her 1993 breakthrough Fumbling Towards Ecstasy and 1997’s eight-times-platinum Surfacing. Mainly recorded at the legendary Sound City Studios in Los Angeles, Better Broken instills a potent new energy into her lush and moody form of pop-rock, thanks in part to contributions from esteemed musicians like Wendy Melvoin (a former guitarist for Prince and the Revolution), drummer Matt Chamberlain (Bob Dylan, David Bowie), multi-instrumentalist Benny Bock (Lucy Dacus, beabadoobee), and pedal-steel guitarist Greg Leisz (Kacey Musgraves, Florence + the Machine). “I went into the studio with a ton of trepidation, because I hadn’t made a record in so long and was unsure of about what I wanted to say and whether the songs were strong enough.” says McLachlan. “But all that fear and uncertainty dissipated so quickly once we started working. The whole process was deeply collaborative, and every musician added something so magical to the songs.”
Her tenth studio album and debut release for Concord Records, Better Broken takes its title from its opening track—a soul-searching reflection on the fortitude that comes from weathering life’s constant storms. “I’m 57 now, and nobody gets to this point unscathed,” says McLachlan. “Life is hard, and you get bashed around a bit, but I feel more wholly myself than I ever have, I think it’s true that we learn so much more about ourselves from our failures – what it takes to heal and find ways to stay open and curious is a theme for a lot of this record.” A gorgeous showcase for her inimitable voice, “Better Broken” unfolds in delicate beats and lavish textures as McLachlan once again proves her singular gift for spinning wisdom into indelibly catchy melody (from the chorus: “Let it be all it is/Small and still and better left alone/Some things are better broken”). The result: a perfect entry point into her latest body of work, instantly revealing her one-of-a-kind ability to swiftly lure the listener into a more elevated state of mind.
The first song recorded for Better Broken, “Gravity” delves deeper into her emotional life and explores the complexities of her relationship with her older daughter. With its graceful string arrangement (courtesy of Patrick Warren, who’s also worked with Fiona Apple and Stevie Nicks), the tender piano ballad channels both quiet heartache and tremendous compassion in its words of loving benediction. “For a long time my daughter and I had a very combative and fraught relationship, and what I came to realize is that so much of what I perceived as obstinance or rage was actually masking a ton of anxiety on her part,” says McLachlan. “We went to counseling together and I learned that she felt so alone and unvalidated by me—which was devastating to hear, but it led us both to change the way we communicate with each other. I wrote ‘Gravity’ as a way of saying to her, ‘I’ve always loved you and want the best for you, and you’re perfect the way you are.”
An artist who’s endlessly matched her intense sensitivity with an undeniable strength, McLachlan embodies a glorious ferocity on “One In a Long Line”— an irrepressible anthem railing against the rapid erosion of women’s rights in recent years. “At first I debated about how far to push on this song, because I’ve seen how people get eviscerated when they speak their minds about anything political,” says McLachlan. “But finally I decided that I can’t be one of those people who waits for someone else to speak up. I want my daughters to feel free, and I want all women to be able to choose how they live their lives.” In a particularly moving turn, McLachlan’s daughters India and Taja Sood lend their own vocals to the galvanizing track, which reaches a feverish urgency at the bridge: “Fuck your judgment, your violence/I am a wildfire/I am a forest burned/But I will rise, you’ll see/And if you think that you can bring me down/Well, go ahead and call the cavalry.”
All throughout Better Broken, McLachlan and her fellow musicians bring an ineffable beauty to her expression of longing and grief and fierce determination. On “The Last to Go,” for instance, resplendent synth and gently tumbling rhythms lend an unexpected luminosity to her defiant meditation on self-sacrifice and regret. “That song came from thinking about my mother and everything she gave up for other people, and all the anger and resentment that built up for her over the years,” says McLachlan. “It actually started out as a pretty dark piano ballad, but overnight Will went in and turned it into a weird and wonderful little symphony that completely lifted it out of that morose, heavy place.” Meanwhile, on “Long Road Home,” McLachlan flips the script and delivers a rapturous love song adorned with haunting guitar tones and darkly hypnotic vocal effects. “I wrote that about finding love again and coming into the experience with a lot of war wounds, but realizing how wonderful it feels to stay open to love,” she says.
With its tracklist encompassing everything from the pedal-steel-laced reverie of “Reminds Me” (a lovestruck duet with MUNA’s Katie Gavin) to the poetic social commentary of “Rise” (a heavy-hearted but radiant track McLachlan refers to as a “hopeful lament”), Better Broken closes out on its most majestic moment: a profoundly unsettling yet strangely thrilling epic called “If This Is the End…” “I’m an eternal optimist but I’ve found myself thinking a lot about the end of the world and what that could look like, because lately it seems like a possibility,” says McLachlan. “That song started with a few lyrics and a riff, and when I played it for Tony he told me about a movie where the atomic bomb is coming and everyone knows so they all walk out to the beach and sing ‘Waltzing Matilda.’” Inspired by that scene in the 1959 sci-fi drama On the Beach, Tony assembled a 28-person choir including many of the musicians who’d played on the album, acutely magnifying the impact of the album’s final lyrics (“So let’s drink to the Earth that will wear a new tapestry/Rainbows of sinew and bone/All of our struggles, our ego and avarice/Fall at the end of the road”). “It’s reminiscent of an Irish drinking song, so we decided we needed a drunken choir,” McLachlan recalls. “The last day of tracking, we got a bartender and gave everyone a lot of tequila, and we all sang this song of profound loss and waiting for the end of the world. Joyful and morose at the same time.”
As McLachlan points out, Better Broken took shape in the midst of a bustling schedule that included touring North America on her sold-out Fumbling Towards Ecstasy 30th Anniversary Tour as well as her ongoing work as founding chair of the Sarah McLachlan School of Music (a not-for-profit founded in Vancouver in 2002). “Before we made this album I thought it might be my last, because my other responsibilities have really pulled me away from music over the last decade,” she says. “But the whole process rekindled my love for making records, and now I can’t wait to start the next one.” And with the release of Better Broken, McLachlan hopes to impart others with the pure unbridled joy she experienced in creating the album. “We all need something to lift us up out of all our challenges and the negative things we’re dealing with every day, and music has always done that for me,” she says. “I hope that this record provides people with some relief and release—but in the end I just want them to take whatever they need from it, and make the songs part of their own story.”
Produced by Tony Berg and Will Maclellan
Engineered and Mixed by Will Maclellan
Assistant Engineer: Nana Adjoa
Additional Vocal Engineering: Chris Potter
Recorded at Sound City Studios, Los Angeles and Creekside Studios, Vancouver
Mastered by Pat Sullivan at Bernie Grundman Mastering
Photography: Kharen Hill | Public Pictures
Package Design: Carrie Smith
1. Better Broken (4:00)
(Sarah McLachlan-Matthew David Morris-Benjamin Bock)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN), Mass Transit Music / Hipgnosis Beats (BMI) and Benjamin Bock (BMI)
Abe Rounds – drums, percussion
Wendy Melvoin – bass, guitar
Mason Stoops – guitar
Sarah McLachlan – piano, vocals
Benny Bock – celeste, synths
Will Maclellan – programming
2. Gravity (5:00)
(Sarah McLachlan-Thomas Luke Doucet)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN) and Thomas Luke Doucet (SOCAN)
Sarah McLachlan – piano, vocals
Sebastian Steinberg – upright bass
Benny Bock – synths
Daphne Chen – violin
Charlie Bisharat – violin
Leah Katz – viola
Vanessa Freebairn-Smith – cello
3. The Last to Go (3:34)
(Sarah McLachlan)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN)
Sarah McLachlan – piano, vocals
Benny Bock – piano, synths
Kane Ritchotte – drums
Will Maclellan – drums programming, percussion, upright bass, electric guitar, acoustic guitar, ngoni
Nana Adjoa – electric bass
Mason Stoops – electric guitar
CJ Camerieri – horns
4. Only Way Out Is Through (4:01)
(Sarah McLachlan-Tony Berg)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN) and Big Deal Beats/Moose and Squirrel Music (BMI)
Matt Chamberlain – drums, percussion
Will Maclellan – percussion
Wendy Melvoin – bass guitar
Mason Stoops – baritone guitar
Vanessa Freebairn-Smith – cello
Sarah McLachlan – piano, vocals
Benny Bock – organ, keyboards
5. Reminds Me (feat. Katie Gavin) (3:49)
(Sarah McLachlan)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN)
Matt Chamberlain – drums
Gabe Noel – bass
Sarah McLachlan – rubber bridge guitar, vocals
Mason Stoops – acoustic guitar (TBC)
Greg Leisz – pedal steel guitar
Vanessa Freebairn-Smith – cello
Benny Bock – organ, synthesizers
Katie Gavin – vocals
6. One In a Long Line (3:44)
(Sarah McLachlan-Anne Preven)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN) / Skolibon Music/These Are Pulse Songs (BMI)
Wendy Melvoin – drums, bass
Will Maclellan – percussion, programming
Mason Stoops – electric guitar
Tony Berg – electric guitar
Sarah McLachlan – piano, vocals
Benny Bock – synthesizers
Sarah McLachlan – vocals
India Sood – vocals
Taja Sood – vocals
7. Only Human (3:48)
(Sarah McLachlan)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN)
Sarah McLachlan – piano, vocals
Benny Bock – synthesizer (TBC)
Mason Stoops – electric guitar
Will Maclellan – vocoder
Vanessa Freebairn-Smith – cello
8. Long Road Home (4:02)
(Sarah McLachlan)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN)
Kane Kitchotte – drums
Sebastian Steinberg – upright bass
Mason Stoops – baritone guitar
Sarah McLachlan – acoustic guitars, piano, vocals
Tony Berg – acoustic guitar
Benny Bock – synths, mellotron
9. Rise (3:38)
(Sarah McLachlan-Thomas Luke Doucet-Anne Preven)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN), Thomas Luke Doucet (SOCAN) and Skolibon Music/These Are Pulse Songs (BMI)
Abe Rounds – drums
Will Maclellan – programming
Gabe Noel – bass
Dylan Day – electric guitars
Tony Berg – acoustic guitar
Benny Bock – accordion
Vanessa Freebairn-Smith – cello
Sarah McLachlan – piano, vocals
10. Wilderness (4:38)
(Sarah McLachlan)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN)
Sarah McLachlan – piano, vocals
Benny Bock – piano
Sebastian Steinberg – upright bass
11. If This Is the End… (5:35)
(Sarah McLachlan-Tony Berg)
Sony/ATV Songs LLC (BMI)/Tyde Music (SOCAN) / Big Deal Beats/Moose and Squirrel Music (BMI)
Matt Chamberlain – drums, percussion
Tony Berg – clock
Sebastian Steinberg – upright bass
Nana Adjoa – bass guitar
Sarah McLachlan – acoustic guitar, vocals
Benny Bock – banjo, synths
Mason Stoops – electric guitar
Vanessa Freebairn-Smith – cello
Bing Bong Berg, Cary Berg, Thomas Berg, Z Berg, Benny Bock, Shane Boose, Vanessa Freebairn-Smith, Katie Gavin, Alex Greenwald, Darin Harmon, Goldie Harmon, Kharen Hill, Kelly Hughes, Joe Keefe, Briana Lee, Nicholas Nistal (The Bartender), Marieke Ochtman, Zoey Ochtman, Anne Preven, Serena Reynolds, Kane Ritchotte, Rachel Selch, Marlon Sexton, India Sood, Taja Sood, Annie Stela, Mason Stoops, Pinky Turzo – choir
Courtesy credits: Katie Gavin appears courtesy of Saddest Factory Records
Thank you: My deepest love, gratitude and thanks to Tony and Will for helping to rekindle my love for the process of making a record; unearthing the song, allowing the path of discovery to be unattached to any outcome other than all of us together being thrilled and giddy as each song took shape. This record (and yes, I still call it a record) was a joy to make. I’ve never laughed so much in my life. Thank you, Tony, for the education, for your artistry and for pushing me out of my comfort zone – I guess you can teach an old dog new tricks (-: Will, for your quiet steadfast ways and all your fantastic musical additions and for making everything sound so damn good! To all the brilliant musicians who came around to add their magic – my awe and thanks for their talents. In particular, Benny Bock, who quickly became the 4th member of our party adding so many colours and moods and some of my favourite musical moments on the record. Wendy Melvoin – what can’t she play? Amazing guitarist, bassist, drummer and general bad ass. Vanessa Freebairn-Smith with the most glorious heartbreaking cello playing. Also bringing magic on guitars, Mason Stoops, Dylan Day and Alex Greenwald. On upright and electric bass, Gabe Noel, Sebastian Steinberg, and Nana Adjoa. On drums and percussion, Matt Chamberlain, Abe Rounds and Kane Ritchotte. On horn, CJ Camerieri; pedal steel, Greg Leisz; violin, Daphne Chen and Charlie Bisharet; viola, Leah Katz; Patrick Warren for his beautiful string arrangement on Gravity…all glorious. Love and thanks to Katie Gavin for lending her sweet voice to Reminds Me. Huge love to India and Taja Sood for singing with me on One In A Long Line. To Luke Doucet, Anne Preven, Alex Greenwald, and Tony Berg for writing with me. Thank you to Brian Greenbaum at CAA and to Margi Cheske and everyone at Concord Records. Love and thanks to my management team, Sam Feldman, Jane Muckle, and Dan Cleland. Steady on…let this music be an expression of our shared humanity…an offering like a salve, allowing a softening,..and a reminder that we are all in this together.
Management: Sam Feldman, Jane Muckle and Dan Cleland
sarahmclachlan.com
concordrecords.com
℗ & © 2025 Sarah McLachlan Entertainment Corp under exclusive license to Concord Records. Manufactured for and Distributed by Concord, 10 Lea Avenue, Suite 300, Nashville, TN 37210. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Made in U.S.A. CRE03068
Maybe if I catch my breath
Maybe if I wait a little
I’d remember how it hurts and stop before I fall
I’d forget to come apart
I’d catch myself and hold on tightly
Let memory wash over me, forgive but don’t forget
So you come back to me begging
“Why’d you leave? Tell me why, how you could you let this go?”
Let it be all it is
Small and still a memory like a stone
A jagged edge made smooth by time
Let it be all it is
Small and still and better left alone
Some things are better broken
Some things are better broken
Illusions come the venom stings
Swirling visions, soft and perfect
They blur all the edges ‘til everything looks fine
So I’ll pretend I didn’t cry and you pretend that you’re my savior
We both remember what we want – to get us through the night
So don’t come back to me begging
“Why’d you leave? Tell me why, how could you let this go?”
Let it be all it is
Small and still a memory like a stone
A jagged edge made smooth by time
Let it be all it is
Small and still and better left alone
Some things are better broken
Some things are better broken
Let it be all it is
Small and still a memory like a stone
A jagged edge made smooth by time
Let it be all it is
Small and still and better left alone
Some things are better broken
Some things are better broken
Yours is an island of wild weeds and lush, tangled ground
Unbridled energy, all possibility
You pull yourself up on two feet that have not stood alone
Slowly and gingerly, reaching with toes
It’s hard the way you look at me with a rage I cannot place
But I’m not the enemy, I’ll carry you through your pain
You can hide away, hold your heart at bay
I know you wanna be loved
Though life will come apart, break and unbreak your heart
I will be like gravity, always true
I won’t give up on you
For every two steps that go forward, there’s one that crawls back
These are the highs and lows, those who have been here know
But that doesn’t stop us from marching back into the mire
Insult to injury and we breathe fire
It’s hard the way you look at me with a rage I cannot place
But I’m not the enemy, I’ll carry you through your pain
You can hide away, hold your heart at bay
I know you wanna be loved
Though life will come apart, break and unbreak your heart
I will be like gravity, always true
I won’t give up
Our loves not a race, only one of us wins
I pushed you so hard not to quit or give in
I look back now past the anger and fear
You were suffering and you were all alone in it
So you can hide away, hold your heart at bay
I know you wanna be loved
Though life will come apart, break and unbreak your heart
I will be like gravity, always true
I won’t give up on you
I’ll never give up on you
I found out the soul’s the last to go
All the colours draining from the world I know
And all my careful calculations scattered on the wind
Cause you told me I was special, I wanted to believe
I took your words, I felt the weight of gold
Surrendered to my faith in love so bold
You built for me a pedestal, a cage I could not see
Relinquished my ambitions so you could still feel free
Now who am I these bones and skin
This old façade is paper thin
My armory depleted, my soldiers have deserted
I’ve given all I have to give
I’ve carved myself into the mold I thought that I could fit in
But I’m never gonna fit in
So take it or leave it
I’m out, I’m done bleeding for you
I’m so done with trying to concede
Smoothing over ruptures, lies, and greed
Searching for my part in it, my place to take the blame
It’s exhausting and demeaning, swallowing this shame
Now who am I these bones and skin
This old facade is paper thin
My armoury depleted, my soldiers have deserted
I’ve given all I have to give
I’ve carved myself into the mold I thought that I could fit i
I’m never gonna fit in,
So take it or leave it
I’m out, I’m done bleeding for you
I took my soul out to the trees and asked for comfort
Asked they hold me softly underneath their boughs
But the forest whispered time will only ever answer
Once you’ve learned the things you need to carry on and let it go
So I sat there in the storm of my confusion
Tried to will away the pain I felt inside
But the walls I built to hold the flood were crumbling
And my world was coming down
Only way out of this is though
There’s no going back, no going ‘round it
We try to run and hide, that’s what we do
Oh but the pain will keep on coming till we face it, ‘til we feel it
Give into it, forgive me, forgive you
So many walls between us, so much bending and conceding
Forgotten what it’s like to be in love
So I walk on with this rage and with this hunger
With this insatiable desire to take you down
But it’s leading me into my darkest corners
Where there’s no peace to be found
Only way out of this is through
There’s no going back, no going ‘round it
We try to run and hide, it’s what we do
But the pain will keep on coming till you face it, ‘til we feel it
Give into it, forgive me, forgive you
So many walls between us, so much bending and conceding
We’ve forgotten what it’s like to be in love
Oh I wanna live without this rage
I wanna tear apart everything I ever knew and start again
Wash my soul clean to find the one I used to know
So I took my soul out to the trees and asked for comfort
Ask they hold me softly underneath their boughs
But the forest whispered time will only ever answer
Once you’ve learned the thing you need
That the pain will keep on coming ‘til we face it, ‘til we feel it
It doesn’t mean I’m gonna forgive you
So many walls between us, so much bending and conceding
Forgotten what it’s like to be in love
To be in love
To be in love
To be in love
To be in love
To be in love
I’m not in love
I’m not in love
Baby your love’s what I want
When everything’s changing
Yours is the light that I lean on
Reminds me how healing a good love can be
We started out as friends and then we fell into the deep
When we first kissed, I nearly drowned
But you took my hand and you led me to wonder
Like all that was lost had been found
Baby when I’m feeling blue
Your smile can save me
Pulls me up out of the trenches
Reminds me how easy my life is with you
I used to think love was heavy work, trying to lift up the broken ones
I wasted so much time
But those mistakes lead me to you
Now I know it was worth walking that crooked line
Cause you and me were meant to be
A sweet and simple melody
And I want to sing this song for you
Until our time has all run through
You’re all I want, all I need
If all I have is you
Baby you show me the way
Our love’s an adventure
And all of your roads that I wander
Remind me how lucky that I found you
‘Cause we don’t always have to be adult
We fall apart at each other’s stupid jokes
And we laugh until we cry
Your kindness comes easy
You’re wild-hearted and free
Everything that I desire
Cause you and me were meant to be
A sweet and simple melody
And I wanna sing this song for you
Until our time has all run through
You’re all I want, you’re all I need
If all I have is you
Don’t block the sun from warming me
When it’s so cold in this forest
And heavy branches hang over me
And winds whisper in chorus
I have a soft side and a forgiving heart
But don’t mistake me for weak
I’ve traveled roads that you will never roam
I carry treasures you will never own
‘Cause I am one in a long line, sound of body, strong in mind
And I’ve worked hard to know myself, you don’t get to decide
The way I live, who I lie with, what I forgive
So why’s so hard to take me as I am
I try to see good in everyone
The beating heart of our frailty
But it’s getting harder to find common ground
When you wanna derail me
I am a livewire
I am a searing ember
Rising from the deep
The sound and fury of our mothers’ voices, all they fought for carrying me
‘Cause I am one in a long line, sound of body, strong in mind
I’ve worked hard to know myself, you don’t get to decide
What I believe, what I give up, how I grieve
So take your dirty hands off of my wheel
I’m feeling reckless, I’m feeling dire
Don’t wanna lie in compliance
Afraid to say what I really feel
Fuck your judgment, your violence
I am a wildfire
I am a forest burned
But I will rise you’ll see
And if you think that you can bring me down
Well go ahead and call the cavalry
I am one in a long line, sound of body, strong in mind
I’ve worked hard to know myself
You don’t get to decide to whom I serve
‘Cause in my world respect is earned
Cause I am one in a long line
One in a long line
One in a long line
Intruder comes, it’s four AM
The witching hour’s back again and I
I’m running ragged through the maze
I know the heart’s a tricky beast
Like some cool ephemeral spirit of the nignt
Lures you in, robs you blind, and leaves you bleeding on the street
When all you want is arms around you
And a whisper in your ear
Saying everything’s gonna be alright
Even if it’s not
Because you’re only human
You can only take so much before you break
And you feel like you’re drowning alone, and the waves keep on coming and hold you down
And the circle goes round and round and round and you can’t breathe
But there’s light that you can’t see
I know these rooms, these prison halls
I’ve stumbled through so many times before
To find the devil lurking just behind the door
I don’t pretend to understand the roads you’ve walked, how you still stand but I
I wanna try to lift some of the burdens that you bear
When all you want is arms around you
And a whisper in your ear
Saying everything’s gonna be alright
Even if it’s not
‘Cause you’re only human
You can only take so much before you break
And it feels like you’re drowning alone, and the waves keep on coming and hold you down
And the circle goes round and round and round ‘til you can’t breathe
But there’s light that you can’t see
Yeah there’s light you cannot see
Light won’t you guide me on
‘Cause I want no regrets
I took the long road home
I tried to pay my debts
I want to feel the shiver
Your fingers writing poetry on my skin
Seeking out new paths
In the valleys and edges
Where do I end and where do you begin
I wanna map this world, believe in love again
But I know that most things just come down to chance
You’ve gotta throw yourself against the wind
If everything was easy, it wouldn’t be worth it
So take my hand and walk beside me
Through these ever-changing times
Whatever storms will come our way
I wanna face them all with you
So love, now you’ve lead me home
Won’t you stick around
I’ve made a lot of mistakes
But I still keep on trying
I want to feel the shiver
Your fingers writing poetry on my skin
Wanna get lost with you in the valleys and edges
So take my hand and walk beside me
Through these ever-changing times
Whatever storms will come our way
I wanna face them all with you
So take my hand and walk beside me
Through these ever-changing times
Whatever storms will come our way
I wanna face them all with you
This time is gonna be different
I heard it on the news
Men are gonna lay their weapons down
Women keep the right to choose
This time is gonna be different
People breaking out in song
Dancing in the streets
Singing, “Love will save us all”
But we’re gonna need each other to quiet the thunder
Who do we turn to, if we turn on each other
Yeah, we’re gonna need each other in bliss and in hunger
With chances and choices and dreams of tomorrow, will we rise?
This time we’re gonna do better
If we can cool things down
I know your tells, the warning bells, your thirst for higher ground
But there’s nothing gained from envy or the lust to prove me wrong
Embracing what divides us, it’ll never make us strong
Come on, we’re gonna need each other to quiet the thunder
Who do we turn to if we turn on each other
Yeah we’re gonna need each other in bliss and in hunger
With chances and choices and dreams of tomorrow will we rise?
Without you, despair
With you, I still feel alone
Until we find parallel lines, new roads to bring us home
So let’s lean into the trenches, try to reconcile the wrongs
Learn to love a better way, before all goodwill is gone
Yeah, we’re gonna need each other to quiet the thunder
Who do we turn to if we turn on each other
Yeah we’re gonna need each other in bliss and in hunger
With chances and choices and dreams of tomorrow will we rise?
I’ll always remember the day we first met
The fires of September still burning their best
The sky full of smoke, full of promise of anything possible
It felt like a dream to feel safe in your arms
Despite all the warnings, I fell for your charms
The earth opened up like desire, it was unstoppable
You lay down your history, your battle scars
But all I could see were the stars
So I don’t want to blame you but my heart is shattered
How could you leave us like none of it mattered
This kind of love comes but once, maybe twice if you’re lucky, and time is running out
So why won’t you talk to me, tell me your troubles
I’m right here beside you, the calm in your storm
But you kissed me and walked away into your wilderness
You came back you begged me, I bought what you sold
I gave my forgiveness, I set the bar low
‘Cause all along you had another life somewhere with somebody other than me
I let myself down in the name of love
Chasing illusions of you
So I don’t want to blame you but my heart is shattered
I should have known better, I should have run faster
But this kind of love comes but once, maybe twice if you’re lucky, and time is running out
So why won’t you talk to me, tell me your troubles
I’m right here beside you, the calm in your storm
But you kissed me and walked away into your wilderness
We do best we can with the tools that we’ve got
But a home can’t survive a foundation of rot
There’s no pretty words to dress up the betrayal as anything but what it is
So I guess I can blame you cause my heart is shattered
You took what you wanted like none of it mattered
This kind of love comes but once, maybe twice if you’re lucky, and your luck is all run out
So don’t try to tell me you’re sorry I’m so tired of all of your bullshit, your weakness and fear
You can take yourself into your wilderness and disappear
One by some we gather
Under the radiant sky
To soak up what’s left of the wonder
To drink ‘til the rivers run dry
So hush now don’t you cry, my love
What more is there left to say
Let me hold you closer
Give in to the debts we must pay
Shine on my dear heart, though life is derailing
Surrender is our only guide
So let’s drink to the sky that will carry on after, the bittersweet taste of demise
For all we are losing, for all the same answer
It comes on unstoppable tides
So here’s to the sky
We pour our best wine into paper cups
Taste almonds and earthy decay
We toast to the sadness of reckoning
That there will be no better days
Shine on my brave heart, though life is derailing
Surrender is our only guide
And we drink to the sky that will carry on after, the bittersweet taste of demise
For all we are losing
For all the same answer
It comes on unstoppable tides
So let’s drink to the Earth who will bury our apathy
Swallow us, sinew and bone
All of our treasures we savoured and suffered
And lost at the end of the road
So here’s to the sky
We lay ourselves out on our blankets
And bury our toes in the sand
We’ll go out alone as we entered
Please don’t let go of my hand
And we drink to the sky that will carry on after, the bittersweet taste of demise
For all we are losing
For all the same answer
It comes as no real surprise
So we drink to the earth that will bury our apathy
Swallow us, sinew and bone
All of our colours, our joys and our sorrows
So small at the end of the road
So let’s drink to the Earth that will wear a new tapestry
Rainbows of sinew and bone
All of our struggles, our ego and avarice
Fall at the end of the road
Here’s to the sky
Better Broken - Album Announcement
"Gravity" Single Release
"Reminds Me" Single Release
Concord Records, Marketing: Micky Benthall
[email protected]
ShoreFire, Press: Allison Elbl
[email protected]
ShoreFire, Press: Alexa Price
[email protected]