Lucius

Lucius is family. When I first heard their tight and fluid harmonies in 2012, I figured Holly and Jess were siblings. Then I saw a photo with their matching hair and outfits, which reassured me. WRONG! Holly Laessig and Jess Wolfe are best friends. They met at Berklee College of Music in their teens, nearly 20 years ago.
The story of Lucius comes full circle on this new self-titled and self-produced album. It was loosely inspired by a recent re-recording of their debut album, Wildewoman, roughly ten years after its release. Jess Wolfe told me redoing that record “really struck a chord. It reminded us of who we were as a band when it all started, each of us integral to the sound. If one thing is off, it falls apart. That sort of vulnerability, playing on the edge, was a coming home, and solidified the decision to nurture that feeling again in the studio”.
Dan Molad is not only the drummer, and Pete Lalish not only the wild card guitar player; they both play synths, guitars, and bass, bringing inventive arrangements – with Dan producing, helping to establish and capture the sound and dynamics of the group.
When they got together to write, it was often talking through relationships, grief, and home life. Pete lost his mom to Parkinson’s; both Holly and Jess had miscarriages. There was also the divorce between Jess and Dan after seven years of marriage. More children were born; for Pete and for Jess, it was each of their first. So, the roots of this album are domestic, personal experiences.
In the past, Holly and Jess wrote most of the songs alone, though, for this album, they did much of it in the same room with Dan, creating tracks amidst the writing sessions; the creative spark flowed. As a band, they wanted to return to their own devices and not seek outside influence to bring their songs to fruition. “For the first time, Jess and Holly brought me into the room when songs were just seeds. And that’s been really exciting. I’ll connect one synth, dial up a sound, and tell Jess or Holly, ‘Go fiddle on this,’ and as they fiddle, then I fiddle,” says Dan.
Lucius often plays with duality, reflection, and symmetry, echoed in their onstage look, singing as one voice – “dressing the sound” as they call it. You can hear the personalities come through on this record; Holly is more of the introvert and Jess more of the extrovert, the balance between inner dialogue and an invitation.
The album opens with “Final Days,” a musically rousing but lyrically devastating cut. The opening line,
“I hope I didn’t let you down ’cause it’s too late to make a change.” The chorus is the gut punch. “Could’ve said I’m frightened but I couldn’t, I didn’t have the heart. Are you scared of dying?”
I assumed the subject was an aging parent. Holly started the lyrics with two parallel meanings. “I had to have a tree taken down in my yard; it was the biggest, oldest, most majestic in the neighborhood. I had dream plans for a treehouse…but ultimately, it became a safety hazard when it started to die. I sat in the yard the day before they came to take it down and started the verses from the beginning. Flipping between wondering if I had neglected this tree and let it down and laughing at myself for even thinking that I could hold that much power in a couple of years over something as grand as her. But as the words came out, they began to sound a lot like the human experience of loss and grief in general. We always love playing with duality and double meanings and taking simple or seemingly naive things like saying goodbye to a tree and, in the same breath, feeling the depth and potency of love and loss.”
The music performances on this entire record are filled with a craft that brings the most out of the words. This isn’t simply beats and melody while the singers tell a tale. The instruments intertwine in ways that are both organic and purposeful.
There are collaborations on this new album; it wasn’t done in complete isolation. Old friends visited and contributed to the Lucius family, including War On Drugs guitarist Adam Granduciel on the song “Old Tape,” Dawes’ Taylor Goldsmith on “Stranger Danger,” and a songwriting collaboration with Madison Cunningham along with Ethan Gruska for a tune titled, “Impressions.”
Following their 2013 debut, Lucius began playing more prominent stages, touring, and building a thriving and enthused fan base. At the Newport Folk Festival, they became a staple not only as a band, but with Holly and Jess joining My Morning Jacket, Brandi Carlile, Mavis Staples, John Prine, Paul Simon, Wilco, Joni Mitchell, and Pink Floyd’s Roger Waters.
Jess and Holly would later join Roger Waters’ tour, singing backup and recording an album with him and Nigel Godrich. They worked on other recordings with John Legend, Harry Styles, Sheryl Crow, Ozzy Osborne, Nathaniel Rateliff, The Killers, and the War On Drugs, to name a few. In 2022, Dave Cobb and Brandi Carlile helped produce their 3rd official release, Second Nature.
“We’ve loved working with some of the great producers of our time: Shawn Everett, Tony Berg, Richard Swift, John Congleton, Dave Cobb, and Brandi,” says Pete. “But it was important to get back to our home base with Danny at the helm producing; his patience and persistence in seeing a song through to the end. The soul of the band has always been about helping to bring Jess and Holly’s words, melodies, and harmonies to life and it was so nice to just revisit what Lucius has become for each of us over the years – less of a band and more of a family.” Those outside encounters and collaborations, plus their 18 years of deep friendship, have taken them home with 11 songs under one roof. It’s called Lucius.
– Bob Boilen, January, 2025
ARTIST: Lucius
TITLE: Lucius
LABEL: Fantasy Recordings
UPC: 888072668461
FAN02809
Produced by Dan Molad
Additional Production by Robert Shelton
Engineered by Rob Shelton and Dan Molad at Altamira Sound in Alhambra, CA and Sounds Like a Fire in Los Angeles, CA
Assistant Engineering by Alex Pfender
Mixed by Dan Molad at Sounds Like a Fire in Los Angeles, CA
Mix Assistance by Stella Hartmann on “Do It All For You” and “Borderline”
Additional Mixing by Alex Pfender on “Old Tape (feat. Adam Granduciel)”
Mastered by Emily Lazar at The Lodge in New York, NY
Cover Photo by Jack Davison
Inside Photos by Dana Trippe
Album Design and Illustrations by Tika Buchanan at Arkadia & Co.
(Jess Wolfe-Holly Laessig)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP)
Jess Wolfe: vocals
Holly Laessig: vocals
Dan Molad: moog matriarch, juno 106, sampling, drums, percussion, electric
guitar
Peter Lalish: acoustic guitars, electric guitars
Robert Shelton: piano
Doug Stuart: bass
(Jess Wolfe-Holly Laessig-Dan Molad)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP)
Jess Wolfe: vocals
Holly Laessig: vocals
Dan Molad: drums, percussion
Peter Lalish: electric guitars, acoustic guitars
Solomon Dorsey: bass
Jacob Galenski: electric guitar, tambourine
Robert Shelton: minimoog
(Jess Wolfe-Holly Laessig-Dan Molad)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP)
Jess Wolfe: vocals
Holly Laessig: vocals
Dan Molad: drums, percussion, korg poly ensemble, juno 106, vocals, tenor bass,
onde OM-1
Luke Temple: electric guitar
Josh Mease: acoustic guitar
Doug Stuart: electric bass, upright bass
(Jess Wolfe-Holly Laessig-Dan Molad-Peter Lalish)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP)
Jess Wolfe: vocals
Holly Laessig: vocals
Dan Molad: mellotron, vocals
Peter Lalish: acoustic guitars
Robert Shelton: piano
Doug Stuart: bass
Adrian Olsen: modular synth
(Jess Wolfe-Holly Laessig-Dan Molad)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP)
Jess Wolfe: vocals, yamaha cs-50
Holly Laessig: vocals, moog matriarch
Peter Lalish: electric guitar
Dan Molad: drums, percussion, programming, acoustic guitar, moog matriarch, juno 106
Solomon Dorsey: bass
Taylor Goldsmith: piano, electric guitar
Robert Shelton: hammond B3
Josh Mease: bass, tenor bass, acoustic guitar
(Jess Wolfe-Holly Laessig-Dan Molad)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP)
Jess Wolfe: vocals
Holly Laessig: vocals, piano
Dan Molad: mellotron, drums, sampling, electric guitars, juno 106
Peter Lalish: acoustic guitar, tenor bass
Solomon Dorsey: electric bass
(Jess Wolfe-Holly Laessig-Dan Molad-Oliver Hill)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP) and Doctor Pilgrim Songs (ASCAP) Administered by Downtown Music Publishing
Jess Wolfe: vocals
Holly Laessig: vocals, juno 106
Dan Molad: drums, acoustic guitar, electric guitar, bass, drum programming, moog matriarch, juno 106, vocals
Peter Lalish: acoustic guitar, electric guitar
Adam Granduciel: electric guitar, vocals
Oliver Hill: piano, prophet 6
(Jess Wolfe-Holly Laessig-Madison Cunningham-Ethan Gruska)
Publisher/Publisher Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP), Madison Cunningham / Artificial Blonde (ASCAP) Administered by Kobalt Music Publishing, and Hipgnosis Notes / Otis Redhead Music (ASCAP) (administered by Hipgnosis Songs Group)
Jess Wolfe: vocals
Holly Laessig: vocals
Dan Molad: acoustic guitar, juno 106, drums, percussion
Peter Lalish: electric guitars
Solomon Dorsey: upright bass, fretless electric bass
Madison Cunningham: electric guitar, vocals
Ethan Gruska: sampling
(Jess Wolfe-Holly Laessig-Dan Molad)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP)
Jess Wolfe: vocals
Holly Laessig: vocals
Dan Molad: drums, mellotron, percussion, electric guitars, vocals
Peter Lalish: electric guitar, vocals
Alex Pfender: acoustic guitars
Jacob Galenski: acoustic guitars
Robert Shelton: korg monopoly
(Jess Wolfe-Holly Laessig)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP)
Jess Wolfe: vocals
Holly Laessig: vocals
Dan Molad: bass, drums, moog matriarch, vocals
Peter Lalish: electric guitars, baritone guitars
Alex Pfender: acoustic guitar, vocals
Robert Shelton: korg trident, prophet 5, minimoog
(Jess Wolfe-Holly Laessig-Dan Molad)
Published by Wildewoman Music (ASCAP), Administered by Kobalt Songs Music Publishing [for ASCAP] (KSMP)
Jess Wolfe: vocals
Holly Laessig: vocals
Dan Molad: acoustic guitars, bass, casio SK5
Robert Shelton: piano, korg monopoly
Rob Moose: strings
Evan Smith: flutes
Madison Cunningham appears courtesy of Verve Forecast.
Thank you forever, to our fans, families and friends
Artist Management: Ben Levin with Dalton Sim, Katie Lorenz, and Aliya Daniels for Good Harbor Music
ilovelucius.com
fantasyrecordings.com
℗ & © 2025 Wildewoman Music. Under exclusive license to Fantasy Records. Manufactured for and Distributed by Concord, 10 Lea Avenue, Suite 300, Nashville, TN 37210. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. FAN02809
I hope I didn’t let you down
‘Cause it’s too late to make a change
You’ve lived a hundred lives before me
So self-involved to think that I could hold that weight
Like a mother to them all,
With your arms stretched open wide
I hope you hear that heaven’s call
I hope they’re letting you inside
You look good like I remember
With all that sunshine on your face
I let you sit there without talking,
You let me sit there in your shade
You let me dream about the future
and all the plans we had to make
I hope I’m wrong about the after
and these are not your final days
Could’ve said I’m frightened but I couldn’t, I didn’t have the heart
Are you scared of dying? I couldn’t, I didn’t have the heart
So I said it’s waiting, your own true paradise
didn’t have the heart so I lied just to not see you cry
Yeah I didn’t, I didn’t have the heart
The world will go on spinning
Another day another scene
and I’ll be left with just a memory
and yesterday will be a dream
I’ll be looking out there for you
where all they see is empty sky
The space you left reminds me
that we don’t have to say goodbye
Could’ve said I’m frightened but I couldn’t, I didn’t have the heart
Are you scared of dying? I couldn’t, I didn’t have the heart
So I said it’s waiting, your own true paradise
didn’t have the heart, I didn’t have the heart
So I said it’s waiting, your own true paradise
didn’t have the heart so I lied just to not see you cry
Yeah I didn’t, I didn’t have the heart
Heart of gold, heart in a cast
Happy times, times when we’re sad
I’ll never leave, I’ll never leave
Strong in mind, weak in the knees
Easy go, so hard to please
I’ll never leave, I’ll never leave
No such luck, too much to prove
So much love, too much to lose
I’ll never leave, I’ll never leave
Ask me why, leave me alone
Push and pull, feels right at home
I’ll never leave, I’ll never leave (gold rush)
I’ll never leave, I’ll never leave (gold rush)
Sugar rushes, honey, it’s high and low
You’ve got something sweeter than liquid gold
‘Til the end, right from the start
Act your age, stay young at heart
I’ll never leave, I’ll never leave
You and me, paving the way
Dreams come true, or the mundane
I wanna see, I wanna see
I’ll never leave, I’ll never leave
Sugar rushes, honey, it’s high and low
You’ve got something sweeter than liquid gold
Sugar rushes, honey, it’s high and low
You’ve got something sweeter than liquid gold
Sugar rushes, honey, it’s high and low
You’ve got something sweeter than liquid gold
I lose myself to find you
and you save me every time
You know I’d wash away all of your sadness
while I hang myself to dry
Pierce my own reflection, just so you will stay
I will sit on the ledge of our love
and let you push me off
I’d do it all for you
I’d do it all for you
I do it all for you
One day, when we’re looking back
even if it’s a whole damn mess
I won’t forget the feeling, when you said
“I love you from the floor through the ceiling”
I’d do it all for you
I’d do it all for you
I do it all for you
Inside and out with my eyes closed I know you
Inside and out with my eyes closed I know you
(I’d do it all for you)
Inside and out with my eyes closed I know you
(I’d do it all for you)
Inside and out with my eyes closed I love you
Deep are these valleys
deep and cutting, are our words these days
High as the mountains, I’m high as a kite
and I won’t win this fight with myself again
Mad Love
spinning around like a carousel in a storm
Slow it down
suddenly here I’m falling
like falling in love again
Soft are the pastel downtown city skies
They look so pretty, depending on the light
Hard are the moments we don’t see eye to eye
and we’re left longing to get back to you and I
Mad Love
spinning around like a carousel in a storm
Slow it down
suddenly here I’m falling
like falling in love again
Mad Love
spinning around like a carousel
Slow it down
suddenly here I’m falling
like falling in love again
It’s so cold
I feel it in the backbeat
Covered up
with a nice warm melody
Put the kettle on, sit and watch the tv
Write another song in another key
People talk
they never really mean it
Walk the walk
whenever it’s convenient
Turn the other cheek, if the money’s looking greener
Where’s the empathy when you need it?
Stranger danger
Losing touch with mother nature
Who is gonna be her savior?
What is home
possessions or the feeling
Add one on
start to hit the ceiling
Further from the truth, closer to revealing
the damage has been done
And now what?
Stranger danger
Losing touch with mother nature
Who is gonna be her savior?
Going through the motions
I’m a little frozen, feeling numb
Going through the motions
Looking for a reason, feeling numb
Feeling numb
Going through the motions
I’m a little frozen, feeling numb
Going through the motions
Looking for a reason, I’m feeling numb
Feeling numb, feeling numb
I’m a little frozen
Can’t make up my mind
Feeling numb
I’m a little frozen
Can’t make up my mind
Feeling numb
I will buy you flowers
and put ‘em in a crown
You rule my world, you make it melt
you make the songs out of the sounds
And every time I lose my mind, you never ask it to be found
You let it roam, you let it cry, you always let me come around
I’ll always come around
I will put the work in
give it everything I’ve got
‘Cause what we have is perfect, even when it’s not
Like when I try to prove I’m right, you let me talk my way back out
You let it go, you let it die, you always let me come around
I’ll come around
I can’t see the ending from the start
Scared of what is swimming in the dark
I’m running through the hallways
and I never find the right room
But then I wake up and you’re right there
All I was looking for was you
I will make my mind up
and change it every hour
I’m still trying to figure out if I’m a weed or I’m a flower
And you just kinda laugh it off and wait around to see it bloom
You say I’m a garden, that I’m more than just the two
Watch it bloom
I can’t see the ending from the start
Scared of what is swimming in the dark
And I’m running through the hallways
and I never find the right room
But then I wake up and you’re right there
All I was looking for was you
And I’m running through the hallways
and I never find the right room
But then I wake up and you’re right there
All I was looking for was you
All I was looking for was you
looking for was you
All I was looking for was you
The critic mind is here today
the same old thing as yesterday
In the shower, the yard, and on the bike
it’s cold as ice
Spoil the picnic, spoil the fun
spoiling ad nauseam
In the universe the clouds are clear
and my baby’s here
The sorry words I tell myself (it’s playing again, it’s playing again)
The ancient thoughts of someone else (it’s playing again, it’s playing again)
and once in a while
you turn up the dial
to an old tape playing in my head
to an old tape playing in my head
I’ll tune it out and live instead
I’ll tune it out and live instead
What did I find in a broken heart?
A pig, a dig and a faulty start
You’re more gentle than I’ll ever be
so be gentle with me
The sorry words I tell myself (it’s playing again, it’s playing again)
The ancient thoughts of someone else (it’s playing again, it’s playing again)
and once in a while
you turn up the dial
to an old tape playing in my head
to an old tape playing in my head
I’ll tune it out and live instead
I’ll tune it out and live instead
And Once in a while
you turn up the dial
to an old tape playing in my head
to an old tape playing in my head
I’ll tune it out and live instead
I’ll tune it out and live instead
I’ll tune it out and live instead
I’ll tune it out and live instead
I’ll tune it out and live instead
Once in a while
you turn up the dial
to an old tape playing in my head
to an old tape playing in my head
I’ll tune it out and live instead
Stare in my direction
Stand a little closer
Maybe it’s not like it was in your mind
Mirror to mirror
There’s no looking past her
Nothing comes as easy as a natural disaster
Half of me is here and half of me is running
Half of me is wishing I decided on something
I’ve been doing all my best impressions
of a life that isn’t mine
I keep reaching for that old expression
but it never comes out right
like how living is just dying slowly
til it stares you in the eye
Sucker for the scare and a mess of a domestic
If I didn’t have to then I wouldn’t address it
Doesn’t makes sense
when you make any sense of it
So what is the use in assessing the damages?
I’ve been doing all my best impressions
of a life that isn’t mine
I keep reaching for that old expression
but it never comes out right
I keep reaching for that old expression
but it never comes out right
Like how living is just dying slowly
‘til it stares you in the eye
‘til it stares you in the eye
‘til l it stares you in the eye
Maybe in time
you’ll be starting over
on the other side
you’ll walk the line
It’s no kinda life, looking over your shoulder
You’ll only find what you’re trying to hide
Even when you say that it’s over
Trying to convince me you’re doin fine
I can see that borderline
Maybe in time, when hell freezes over
I’ll be surprised, you’ll be satisfied
Honey, I’m tired
looking for the old you
The one that I would recognize
Even when you say that it’s over
Trying to convince me you’re doin fine
I can see that borderline in your eyes
Even when you say that it’s over
Trying to convince me you’re doin fine
I can see that borderline in your eyes
Every time you lie
Every time you lie
Every time you lie
Brush it off, let it roll
Nothing’s ever set in stone
But I wish I could forget
All the names of my regrets
Pick a number, go ahead and take a seat
Seasons change we gotta wait it out and see
All the orange blossoms bloom
and the air is filled with you
and me
And we’re under the stars, looking up
Light in the dark
Sky view
Kill our egos and give a little speech
Throw in some roses and start burying them deep
Take each other’s hand
Try and get back on dry land
And we’re under the stars, looking up
Light in the dark
Sky view
Try not to cue the violins
Don’t need to break the thing that bends
The lower bar, the upper hand
If we don’t fly, we’ll never land
And we’re under the stars, looking up
Light in the dark
Sky view
Under the stars, looking up
Light in the dark
Sky view
Brush it off, let it roll
Nothing’s ever set in stone
At the end of the day
when the house is quiet
Everybody’s asleep, I’m pouring my drink, and we’re searching our eyes
Looking for the gaze we used to hold or it used to hold us
and we can’t find it’s arms
They’re just two thumbs up, hitching a ride
At the end of the day
in the threads and the bleach
All the shit in the yard, and the bills piling up, they keep calling and, Jesus
I think we’re the last thing on my mind, but we know what we’re missing
and there’s only you
and you say that, too
Off into the sunset is a long walk
At the end of the day
it’s the best thing we’ve done
I know we were soulmates, now we would both say he is the one
As the days and nights go by
we win and we lose
because our love grew
and our loneliness, too
Off into the sunset is a long walk
Off into the sunset is a long walk
Concord Records, Marketing: Gulce Turek
[email protected]